Traditional Intertextuality in the Diwan (Kariza Margan) by Poet Mohsen Awara

Abstract

Heritage intertextuality in the Diwan (Kariza Margan) by the poet Mohsen Awara is a scientific research, and the research has taken the first volume of the Diwan (Kariza Margan) by the poet Mohsen Awara as a material for him. The research has followed the descriptive and analytical approach in its course, and this research is an attempt to further analyze the relationship between heritage and literature in general and heritage and poetry in particular and their meeting point. Heritage is an important part of the nation's history and is a major reason for the survival of nations.

In this study there were a number of basic questions that we answered as much as possible, for example: What are the concepts and terminology of the text? What are its rules and types? What is the concept and terminology of heritage and what are its types? To what extent was Mohsen Awara able to incorporate all aspects of heritage into the text of his poems? Throughout the study journey, we tried to answer these questions theoretically and practically.

The research consists of two main sections, as follows: the first section is composed of two main parts the first of which deals with concept of intertextuality, terminology, definition, types, laws, and mechanisms. whereas the second part comes across the concept of heritage, its term, definition. In the second section, we studied the first volume of the Diwan (Kariza Marjan) by the poet Mohsen Awara scientifically, and talked about all sections of heritage as much as possible.