ڕۆڵ و پێگەی ڕیتم و میلۆدی گۆرانی کەلەپووری لە موزیکی ئەوروپای ڕۆژئاوادا

٢١.٨.٢تێزەکانی دکتۆرا بەزمانی کوردی

- حوێز، م. أ.، ڕۆڵی ئامێرە موزیکییە ڕۆژهەڵاتییەکان لە موزیکی کوردی کوردستانی عیراقدا، تێزی دکتۆرا، زانکۆی سەلاحەدین، هەرێمی کوردستانی عیراق.

- شاکر، ‌أ. غ.، خستنەکاری کەلەپووری گۆرانی لە موزیکی هاوچەرخی کوردیدا، تێزی دکتۆرا، زانکۆی سەلاحەدین، هەرێمی کوردستانی عیراق.

٢.٨.٢ پەرتووکە عەرەبییەکان

- أمين، أ. وسلیم، ع.، (٢٠٠٢). الموضوعات الدالكروزية بين النظرية والتطبيق في الإيقاع الحركي. الطبعة الأولى. القاهرة: مكتبة الأنجلو المصرية.

- عبد الله، حسين عبد الله (2012)، الطباعة في العالم العربي. القاهرة: دار الثقافة.

- علی، م.، (١٩٨٢). معجم علم الأصوات. الطبعة الأولى. السعودية، الرياض: مطابع الفرزدق التجارية.

٣.٨.٢ پەرتووکە ئینگلیزییەکان

- Adas, M., Stearns, P.N., & Schwartz, S.B. (2015). Decolonization and Its Legacy. In The Cambridge World History. Cambridge: Cambridge University Press, pp. 395–419. DOI: https://doi.org/10.1017/CBO9781139196079.016

- Atlas, A.W., (1998). Renaissance Music: Music in Western Europe, 1400-1600. New York: W.W. Norton & Company.

- Bhabha, H.K., (1994). The Location of Culture. London: Routledge.

- Boyd, M., (1993). Music of the Baroque: An Anthology of Scores. New York: Oxford University Press.

- Brown, M., (1999). The Franco-Flemish School: Music in the Netherlands and France in the 15th and 16th Centuries. London: Routledge.

- Burke, P., (1999). The Italian Renaissance: Culture and Society in Italy. 2nd ed. Princeton: Princeton University Press.

- Burkholder, J.P., Grout, D.J., (2019). A History of Western Music. 10th ed. New York: W.W. Norton & Company.

- Burkholder, J. P., Grout, D. J., & Palisca, C. V. (2014). A History of Western Music. 9th ed. W.W. Norton & Company

- Caldwell, J., (1991). Music in the Renaissance. Englewood Cliffs: Prentice Hall.

- Carpenter, H. C. (1992). Benjamin Britten. London: Faber and Faber.

- Carter, T. (1997). Francesco Landini and the Music of the Italian Renaissance. Chicago: University of Chicago Press.

- Carter, T. and Butt, J., eds., (2005). The Cambridge History of Seventeenth-Century Music. Cambridge: Cambridge University Press.

- Clarke, A. R. (1992). Manuel de Falla and Modernism in Spain: 1898–1936. Farnham: Ashgate Publishing.

- Cohen, A.J., (2006). The Evolution of Western Music: A History. New York: McGraw-Hill.

- Craske, G. (2007). Indian Sun: The Life and Music of Ravi Shankar. London: Faber & Faber.

- Gaston, A-M., (2017). The Temple Tradition in Three Styles of Classical Indian Dance: Bharatanatyam, Odissi and Kathak. Oxford Centre for Hindu Studies. Available at: https://www.ochs.org.uk (Accessed: 5 December 2024).

- Jamieux, D., (1991). Pierre Boulez: A World of Harmony. London: Faber and Faber.

- Johns, A. (2001). The Printing Revolution in Early Modern Europe. Cambridge: Cambridge University Press.

- Jourdain, R., (1999). Music, the Brain, and Ecstasy: How Music Captures Our Imagination. 1st ed. New York: William Morrow.

- Kang, M.K., (2020). 'Reviving Bharatanatyam: Dance, Identity, and Cultural Transformation in Post-colonial India'. Journal of Indian Dance Studies, 13(2). Available at: https://www.researchgate.net (Accessed: 5 December 2024).

- Klaus, S.K., (2017). Trumpets and Other High Brass: Volume 3, Valves Evolve. National Music Museum.

- Knaak, K.R., (1989). Orchestration in the Music of Haydn, Mozart, and Beethoven. Ph.D. dissertation, University of Michigan.

- Lawson, C. & Stowell, R., (1999). The Historical Performance of Music: An Introduction. Cambridge: Cambridge University Press.

- Lena, J.C. & Peterson, R.A. eds., (2012). The Oxford Handbook of the New Cultural History of Music. Oxford University Press.

- McCorkle, J. M., (1985). Nationalism in Music. Westport, CT: Greenwood Press.

- Morgan, R.P. (1991). Twentieth-Century Music: A History of Musical Style in Modern Europe and America. New York: Norton.

- Mudhaffer, Z. (1999). Jazz Fusion: Cultural Synthesis of Jazz and Other Genres of Music. In Music in American Culture. Fiveable. Available at: https://library.fiveable.me/music-in-american-culture/unit-6/jazz-fusion-contemporary-jazz/guide

- Musgrave, M., (2003). The Music of Johannes Brahms. Oxford: Oxford University Press.

- Ornstein, A. (1991). Ravel: Man, and Musician. New York: Schirmer Books.

- Roberts, P., (1996). Claude Debussy. London: Phaidon Press.

- Rosen, C., (1997). The Classical Style: Haydn, Mozart, Beethoven. 2nd ed. New York: W.W. Norton & Company.

- Samson, J. (ed.), (2001). The Cambridge History of Nineteenth-Century Music. Cambridge: Cambridge University Press.

- Samson, J. (ed.), (2002). The Cambridge History of Nineteenth-Century Music. Cambridge: Cambridge University Press.

- Schulenberg, D., (2001). Music of the Baroque. New York: Oxford University Press.

- Schulenberg, D., (2006). The Keyboard Music of J.S. Bach. 2nd ed. New York: Routledge.

- Solomon, M. (1998). Beethoven. 2nd ed. New York: W.W. Norton & Company.

- Taruskin, R., (1997). Music and the Politics of Culture in the Romantic Era. Oxford: Oxford University Press.

- Taruskin, R., (2005). The Oxford History of Western Music. Volume 1: The Early Music Era: From the Beginnings to 1300. Oxford: Oxford University Press.

- Taruskin, R., (2010). Music in the Nineteenth Century. Oxford: Oxford University Press.

- Taruskin, R., and Gibbs, C.H. (2012). The Oxford History of Western Music. College ed. Oxford: Oxford University Press.

- Todd, L., (2005). Romantic Music: A History of Musical Style in Nineteenth-Century Europe. New York: W.W. Norton & Company.

- Tyson, A., (2005). Folk Music and Dance in the Renaissance: The Influence of Popular Culture on Early Music. Oxford: Oxford University Press.

- Whittall, A. (2003). Exploring Twentieth-Century Music. Cambridge: Cambridge University Press.

٤.٨.٢ تێزەکانی دکتۆرا بە زمانی ئینگلیزی

- Baker, D. (2019). The influence of indigenous music on modern world music and contemporary genres. Doctoral thesis. University of Sydney.

- Dahlhaus, C. (1989). The Integration of Folk Music in Classical Compositions: A Study of Beethoven’s Pastoral Symphony. PhD Thesis.

- Kang, A.S. (2012). Musical Chinoiserie. PhD thesis, University of Nottingham. Available at: https://www.nottingham.ac.uk/research [Accessed 12 December 2024].

- Pannell, R. (2013). The Didgeridoo: From Traditional to Contemporary Performance. PhD Thesis. University of Melbourne.

- Snyder, L. (2003). Folk Music and National Identity in Beethoven’s Symphonic Works. PhD Thesis. University of Michigan.

- Volcansek, F.W. (2001). The Essercizii Musici: A Study of the Late Baroque Sonata. Thesis, University of North Texas. Available at: https://digital.library.unt.edu/ark:/67531/metadc331880/ [Accessed 3 Nov. 2024].

- Zohn, S. (1996). The Virtuoso in Music: A Study of Technique and Artistic Expression. PhD Thesis. University of California, Berkeley.

٥.٨.٢ ئارتیکەلەکان

- McClymonds, M., (2004). 'Hildegard von Bingen: A Medieval Visionary', Journal of the American Musicological Society, 57(3), pp. 397-441. doi: 10.1525/jams.2004.57.3.397.

٦.٨.٢ وتارەکان

-Hoppin, R.H., (1978). Medieval Music. New York: W.W. Norton & Company

٧.٨.٢ ئینسایکلۆپیدیاکان

-Encyclopaedia Britannica, Social Status, Encyclopaedia Britannica, [online] Available at: https://www.britannica.com/topic/social-status [Accessed 24 Dec. 2024].

-Matthews, Max Wade. & Thompson, Wendy. (2004) The Encyclopedia of Music, Musical instruments and the art of music marking, London.

٨.٨.٢ فەرهەنگەکان

-Grove, G. (2001). Grove Dictionary of Music and Musicians. Oxford: Oxford University Press

٩.٨.٢ گۆڤارە زانکۆییەکان:

- عارف، هـ . ط. (٢٠٢٤)، توخمی تۆنالیتی و ئاتۆنالیتی لە موزیکی سەدەی بیستەم: توێژینەوەیەکی وەصفی شیکاری، گۆڤاری زانکۆی سەلاحەدین بۆ زانستە مرۆڤایەتییەکان، بەرگی ٢٨، ژ. ٦، ل. ٨.