دور ومكانة الإيقاع واللحن الاغاني التراثي في الموسيقى الأوروبية الغربية

٢١.٨.٢تێزەکانی دکتۆرا بەزمانی کوردی

- حوێز، م. أ.، ڕۆڵی ئامێرە موزیکییە ڕۆژهەڵاتییەکان لە موزیکی کوردی کوردستانی عیراقدا، تێزی دکتۆرا، زانکۆی سەلاحەدین، هەرێمی کوردستانی عیراق.

- شاکر، ‌أ. غ.، خستنەکاری کەلەپووری گۆرانی لە موزیکی هاوچەرخی کوردیدا، تێزی دکتۆرا، زانکۆی سەلاحەدین، هەرێمی کوردستانی عیراق.

٢.٨.٢ پەرتووکە عەرەبییەکان

- أمين، أ. وسلیم، ع.، (٢٠٠٢). الموضوعات الدالكروزية بين النظرية والتطبيق في الإيقاع الحركي. الطبعة الأولى. القاهرة: مكتبة الأنجلو المصرية.

- عبد الله، حسين عبد الله (2012)، الطباعة في العالم العربي. القاهرة: دار الثقافة.

- علی، م.، (١٩٨٢). معجم علم الأصوات. الطبعة الأولى. السعودية، الرياض: مطابع الفرزدق التجارية.

٣.٨.٢ پەرتووکە ئینگلیزییەکان

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- Atlas, A.W., (1998). Renaissance Music: Music in Western Europe, 1400-1600. New York: W.W. Norton & Company.

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- Kang, M.K., (2020). 'Reviving Bharatanatyam: Dance, Identity, and Cultural Transformation in Post-colonial India'. Journal of Indian Dance Studies, 13(2). Available at: https://www.researchgate.net (Accessed: 5 December 2024).

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٤.٨.٢ تێزەکانی دکتۆرا بە زمانی ئینگلیزی

- Baker, D. (2019). The influence of indigenous music on modern world music and contemporary genres. Doctoral thesis. University of Sydney.

- Dahlhaus, C. (1989). The Integration of Folk Music in Classical Compositions: A Study of Beethoven’s Pastoral Symphony. PhD Thesis.

- Kang, A.S. (2012). Musical Chinoiserie. PhD thesis, University of Nottingham. Available at: https://www.nottingham.ac.uk/research [Accessed 12 December 2024].

- Pannell, R. (2013). The Didgeridoo: From Traditional to Contemporary Performance. PhD Thesis. University of Melbourne.

- Snyder, L. (2003). Folk Music and National Identity in Beethoven’s Symphonic Works. PhD Thesis. University of Michigan.

- Volcansek, F.W. (2001). The Essercizii Musici: A Study of the Late Baroque Sonata. Thesis, University of North Texas. Available at: https://digital.library.unt.edu/ark:/67531/metadc331880/ [Accessed 3 Nov. 2024].

- Zohn, S. (1996). The Virtuoso in Music: A Study of Technique and Artistic Expression. PhD Thesis. University of California, Berkeley.

٥.٨.٢ ئارتیکەلەکان

- McClymonds, M., (2004). 'Hildegard von Bingen: A Medieval Visionary', Journal of the American Musicological Society, 57(3), pp. 397-441. doi: 10.1525/jams.2004.57.3.397.

٦.٨.٢ وتارەکان

-Hoppin, R.H., (1978). Medieval Music. New York: W.W. Norton & Company

٧.٨.٢ ئینسایکلۆپیدیاکان

-Encyclopaedia Britannica, Social Status, Encyclopaedia Britannica, [online] Available at: https://www.britannica.com/topic/social-status [Accessed 24 Dec. 2024].

-Matthews, Max Wade. & Thompson, Wendy. (2004) The Encyclopedia of Music, Musical instruments and the art of music marking, London.

٨.٨.٢ فەرهەنگەکان

-Grove, G. (2001). Grove Dictionary of Music and Musicians. Oxford: Oxford University Press

٩.٨.٢ گۆڤارە زانکۆییەکان:

- عارف، هـ . ط. (٢٠٢٤)، توخمی تۆنالیتی و ئاتۆنالیتی لە موزیکی سەدەی بیستەم: توێژینەوەیەکی وەصفی شیکاری، گۆڤاری زانکۆی سەلاحەدین بۆ زانستە مرۆڤایەتییەکان، بەرگی ٢٨، ژ. ٦، ل. ٨.