The Arts of Semantic Aesthetics in the Poems of (Pire Merd)

Abstract

Pire Merd is one of the poets in Kurdish literature who possessed profound expertise and familiarity with the sciences of stylistics, including (Aesthetics Science). Therefore, studying this poet and analyzing his works serves as an effective means to further illuminate his contributions, particularly in the field of stylistics, where he demonstrated exceptional mastery, as reflected in his poetry. 

This research, titled "The Arts of Semantic Aesthetics in the Poems of Pere Merd", focuses on the artistic elements of semantic aesthetics in Pîrê Mêrd’s poetry, “ semantic aesthetics “. This type of semantic aesthetics emphasizes the elegance of meaning , making the words smooth and eloquent in terms of structure and expression.

The poet’s works stand at a high artistic level and are rich in stylistic and aesthetic techniques, particularly (the arts of aesthetics), which are evident and prominent within his texts. 

This study is divided into two parts. The first section discusses the concept and definition of "anesthetics" from both lexical and idiomatic perspectives. The second section examines the "semantic aesthetic" techniques" present in Pîrê Mêrd’s poetry, such as: " ( Enemy , against , replacement , sign , gathering , collecting , dividing , gathering and collecting , intricate , revisting , counselor , moral lesson , removal .) . Finally, the conclusions are summarized through key points, followed by a separate list of references utilized, thereby concluding the discussion.