Sociological Analysis of (A girl who is my homeland now) poem from Goldman's view

Abstract

The social vision is one of the visions in the poetic dialogue and literary production. We seek this vision in this research in the poem (A girl who is my homeland now) by Sherko Bekas, the contemporary Kurdish poet, discussing social vision in the literary approach and the impact between the social environment of the writer and his literary production in order to show the signs of the social source and its embodiment. This investigation, according to the Genetic structural theory (Lucien Goldman), discusses the poem of a girl who is now my homeland in terms of the social critical domain according to Goldman that any action of a person is a meaningful attempt to answer in a special case and he wants to make a balance between the doer of the action and the reaction of the action. Sherko Bekas is one of these poets and writers who tried to produce this balance and was particularly interested in the literary production of the text and its meaning, as well as Aesthetic features in addition to social phenomena and public awareness. As in Genetic structural criticism. In addition to the text, It is particularly interested in installing literary production. In this paper, the content of the topic is analyzed by trying to benefit from Goldman's formative vision.

      The result of the research tells us that the poem (a girl is my homeland now) is a carrier of social research, including two ways of representing reality and ideology from the outcome of this investigation is that the vision of many critics and social science experts confirm that Sherko Bekas’s literature is not from these literatures that embodies only social reality, but rather that his literature has an impact on society. For this reason, the social vision of the poet in this poem helps us in training and actual thinking to analyze the social problems by taking benefit from it and work with it.