The Unspoken Dimensions of Kurdish Poetry Manifesto: within the Context of the Spoken

Abstract

In the context of our research, we shed light on the interactive links between the poetic statements of some of our poets who announced their own poetic statement and their criticism. The poetic statement has become surrounded by a number of life interactions, and accordingly the poetic value has expanded, becoming linked to the data of life, and poetry is the preferred creative field in the history of Kurdish literature. Methodologically, in the context of our research, we identify the interactive links between the poetic statement and its criticism. Revealing this duality is the field in which this research proceeds, and through what we have achieved, each poetic statement has its own philosophy and each heritage has its images, symbols, and revelations. One of the poets, Sabah Ranjdar, has everything that distinguishes his experience (a little or a lot) from other poets of his generation or earlier. Through the study, we have confirmed the extent of his successful combination of the concerns of reality and its manifestations, and the expression of the self’s positions and feelings. From here we concluded the statement that the poet Sabah Ranjdar has a poetic specificity, and this specificity can be drawn and embodied in his poetic statement, and then it became an introduction to a philosophy with its human connotations.